Commissioned by the Australian National Academy of Music for their ANAM Set 2025, the piece continues my interest in transferring and transposing musical materials from bodies to bodies, instruments to instruments, and situations to situations.
Here, the music draws upon my solo contrabass practice, translated to the violin via the cello — a process developed in close collaboration with David Moran. The title comes from Rohan Kriwaczek’s eccentric book An Incomplete History of The Art of The Funerary Violin.
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July 02, 2025
Link to the score can be found HERE.
#composition
#score
#studiorecording
#liveperformance